We (under Glyph Media, Inc.) develop and maintain press and internal sites for CBS Television Studios.
Press sites are used by print and broadcast companies when making their features and are not usually public domain.
We (under Glyph Media, Inc.) develop and maintain press and internal sites for CBS Television Studios.
Press sites are used by print and broadcast companies when making their features and are not usually public domain.
We (under Glyph Media, Inc.) develop and maintain press and internal sites for AMC Networks and Sundance TV.
Press sites are used by print and broadcast companies when making their features and are not usually public domain.
We (under Glyph Media, Inc.) develop and maintain press and internal sites for the Smithsonian Networks which is a joint venture between CBS Corporation’s SHOWTIME Networks and the Smithsonian Institution.
Press sites are used by print and broadcast companies when making their features and are not usually public domain.
We (under Glyph Media, Inc.) develop and maintain the press site for new US TV network El Rey who have shows like the TV adaptation of From Dusk Till Dawn, Matador and Lucha Underground.
Press sites are used by print and broadcast companies when making their features and are not usually public domain.
We (under Glyph Media, Inc.) develop and maintain press and internal sites for major US TV network SHOWTIME who have popular shows like Homeland, Nurse Jackie and EPISODES.
Press sites are used by print and broadcast companies when making their features and are not usually public domain.
We (under Glyph Media, Inc.) develop and maintain press sites for major US TV network AMC who have popular shows like The Walking Dead, Mad Men and Breaking Bad.
Press sites are used by print and broadcast companies when making their features and are not usually public domain.
Just a quick rant about 1and1.com. This is the hosting provider used by the company I work for. And I have been vocal about my problems with their service. However, I don’t see them transferring to another provider anytime soon.
One word to describe 1and1 is “terrible.” Very slow and often useless tech support (that I am ashamed to admit is done here in my country); inconsistent and unreliable service; also often blacklisted for email spam. Not to mention the time that this domain got disabled because I turned off auto-renewal and they took their sweet time allowing the transfer to another domain registrar (Hostgator).
Recently, I have been working on a media site for a well-known US TV network, and our task was to automate posting of video clips to their websites and their media server (Brightcove). I got stuck with a terrible bug for two days because my script ran on the browser but it misbehaved when in the terminal. The script has to be called by CRON so it needed to run via command line.
It turns out they use different versions of PHP: 4.4.9 in bash and 5.x for web. I couldn’t believe it.
I came across FL Studio (formerly Fruity Loops) in the late 1990s as part of a sampler CD filled with Shareware music software. The step sequencer reminded me of Hammerhead that I had also used to program beats that I used on an album Phantoms for my music project names are for tombstones. I made FL my main DAW in the early 2000s (upon release of version 2, if memory serves) and have produced a lot of stuff with it ever since.
The one thing that was lacking, until (somewhat) recently, was a Mac version. FL Studio is still an exclusively Windows application since it is developed in Delphi (which is essentially Object Pascal for Windows) and had its backbone built on Windows-centered media technologies like DirectX. Fans who do not want to go through the hassle of setting up Bootcamp on their Macs had to use/port Wine (and similar/derived technologies like WineBottler) or even set up a Virtual Machine running a version of Windows to be enjoy FL.
But with ImageLine releasing an official Crossover package for the Mac, everything changed. The image on top is a screen shot of FL running in my OS X Lion right after I grabbed it to test. And of course an experiment is not complete without composing a track. Here’s one, titled Seven Year Itch for pseudo-band Shoe See Shoe, that I worked on using only the plugins (Sytrus, FL Soundfont Player and Boo Bass) and effects (Reverb 2) that came with version 11.
There are some bugs that come with it and it needs some setting up. I set my sample count to 512 to lessen the lag when I use my keyboard controller. Another limitation is that devices cannot be detected in real time. You have to restart the app like in older versions. Also during render, I get this looping audio. So I stop the process and click on the stop button repeatedly. It might be caused by the limiter/compressor plugin.
And another thing that consistently pops up is this:
(which also happened, I believe, in my experiments with Wine and FL) when you close FL using its own exit command. Command Q will not function after some time so your only resort is to close the app Windows style.
Overall, if only during production, it seems to be working fine. I am not sure if it’s cut out for live performance. I don’t have a set up for that since I use a Mini and don’t have an Air or a Macbook.
It was an interesting Twitter experience for me when an innocent tweet got picked up by a rep from Globe Telecom. I thought it was nice (cute, even) at the beginning until it started becoming ridiculous.
This was the tweet that started everything (click on the date links to see full threads):
Happy with the speed of Globe's non-LTE prepaid SIM. Seems consistent here in old Pasig and Ortigas CBD. Connection resets per 30min though.
— Nono (@noel_acosta) September 9, 2013
And this was me right after the initial exchange:
It's kinda nice that a rep from Globe picked up my innocent tweet about their data service. Here's hoping Smart will do the same later. 😉
— Nono (@noel_acosta) September 9, 2013
It became stupid after that. Especially when they started giving their troubleshooting advice in private. (NOTE: I just noticed I gave them the wrong date. Harhar. Should be 9/8/2013.)
So I’ve been posting sarcastic tweets:
Dear telco rep. Are you daft? Take out the battery of the htc one x? Remove and replace sim card? Dont treat me like an idiot.
— Nono (@noel_acosta) September 10, 2013
Sorry, Globe. But please ask your reps to think before they make troubleshooting advice. Unless you prefer them sounding like idiots.
— Nono (@noel_acosta) September 10, 2013
Unfortunately, they won’t stop:
@noel_acosta I saw your DMs Nono. Please let me help you out here 🙂 When you experienced this, were you able to… http://t.co/8nJ8Ba5D0Y
— Ken of Globe (@KenOfGlobe) September 10, 2013
This is really becoming stupid so I don’t think I will be fueling this exchange anymore.
Currently experimenting with 3D in JavaScript to check how compatible top browsers are to this relatively new technology.
As a side effect, I updated the NTRDR logo/landing page which see. It’s more colorful and curvy, at least. I am slowly building an idea of the purpose of the NTRDR project and it might replace existing ones.
I also decided to migrate the nameless.ph blog to the temporary URL www.ntrdr.com/blog. And hopefully when I get time start blogging again about the prototypes I am working on.
And lastly, I am having trouble renewing this domain. So if this goes offline all of a sudden, it’s 1&1‘s fault.